All Simone Peterzano Oil Paintings

(c. 1540 - c. 1596) was an Italian painter of the later Mannerism, native of Bergamo. He is mostly known as the master of Caravaggio. He was a pupil of Titian in Venice, Peterzano debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Veronese and Tintoretto. In the same year he painted two canvasses with Histories of Sts. Paul and Barnabas for the church of San Barnaba, also in Milan. Also from the same period are a Piete in the church of San Fedele and a Pentecost for San Paolo Converso (now in Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. His last works, characterized by a cold monumental style, include a fresco with Stories of St. Anthony of Padua for the church of Sant'Angelo, a canvas with Madonna with Child and Saints for the parish church of Bioggio (Canton Ticino) and an altarpiece with St. Ambrose between Sts. Gervasius and Protasius in the Duomo of Milan (1592, now in the Pinacoteca Ambrosiana).
 
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  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
Simone Peterzano Still-Life of Figs oil painting


Still-Life of Figs
Gemälde IDENTIFIZIERUNG::  86615 		Still-Life of Figs
Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cjr
Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cjr
   
   
     
Simone Peterzano Still-Life of Squash, Lilies, Peaches, and Pears oil painting


Still-Life of Squash, Lilies, Peaches, and Pears
Gemälde IDENTIFIZIERUNG::  86616 		Still-Life of Squash, Lilies, Peaches, and Pears
Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 26 cm (10.2 in). Width: 40 cm (15.7 in). cjr
Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 26 cm (10.2 in). Width: 40 cm (15.7 in). cjr
   
   
     
Simone Peterzano Peapods and Cherries oil painting


Peapods and Cherries
Gemälde IDENTIFIZIERUNG::  86617 		Peapods and Cherries
Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 16 cm (6.3 in). Width: 15 cm (5.9 in). cjr
Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 16 cm (6.3 in). Width: 15 cm (5.9 in). cjr
   
   
     
Simone Peterzano Still-Life of Figs oil painting


Still-Life of Figs
Gemälde IDENTIFIZIERUNG::  90524 		Still-Life of Figs
second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cyf
second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cyf
   
   
     
Simone Peterzano Still-Life of Squash oil painting


Still-Life of Squash
Gemälde IDENTIFIZIERUNG::  90532 		Still-Life of Squash
second half of 16th century Medium Oil on prepared paper cyf
second half of 16th century Medium Oil on prepared paper cyf
   
   
     
  2   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Simone Peterzano
     (c. 1540 - c. 1596) was an Italian painter of the later Mannerism, native of Bergamo. He is mostly known as the master of Caravaggio. He was a pupil of Titian in Venice, Peterzano debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Veronese and Tintoretto. In the same year he painted two canvasses with Histories of Sts. Paul and Barnabas for the church of San Barnaba, also in Milan. Also from the same period are a Piete in the church of San Fedele and a Pentecost for San Paolo Converso (now in Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. His last works, characterized by a cold monumental style, include a fresco with Stories of St. Anthony of Padua for the church of Sant'Angelo, a canvas with Madonna with Child and Saints for the parish church of Bioggio (Canton Ticino) and an altarpiece with St. Ambrose between Sts. Gervasius and Protasius in the Duomo of Milan (1592, now in the Pinacoteca Ambrosiana).

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